For centuries, every art student has learned the same rule:Oil and water do not mix.Yet today you can buy oil paints that thin with water, clean up with water and often don't require solvents at all.So what changed?Have chemists somehow broken the rules of painting?Not quite.Water-mixable oils are one of the most significant developments in ...

Layered Linocut: Colour, Process and Possibility in the Print RoomMonoprinting tends to settle into the classroom quite quickly.There’s usually less hesitation. Students get started sooner and the room has a bit more movement to it. It’s not because the process is easier, but because it changes the starting point. Instead of working ...

Layered Linocut: Colour, Process and Possibility in the Print Room  Layered linocut is bold, physical and rooted in tradition, yet it feels contemporary in the way it builds colour, texture and narrative through successive impressions. For GCSE and A-level students, it also answers a persistent challenge: how to move beyond flat, ...

Narrative is one of the hardest things to teach well in art. Students often have strong starting points, a feeling, an issue, an image; but struggle to sustain ideas, sequence meaning or show development clearly over time. Pages fill up, but the thinking stays fragmented.Concertina sketchbooks offer a simple structural shift that can radically ...

  A practical, confidence-boosting guide for art teachersIf your art department has a printing press, you’re already sitting on one of the most powerful creative tools a school can own. The problem is that presses are often inherited, underused, or quietly intimidating. They can feel technical, time-consuming, or “too ...

    Why Screen Printing MattersThere’s something magical about that first pull of a squeegee, the hush before the reveal, when the image appears bold against the paper. Screen printing is one of those techniques that never fails to capture attention. It’s immediate, playful and deeply satisfying; it teaches students that art ...

  From cave paintings to street murals, art has always been a way of speaking when words fall short. For today’s students, facing the realities of climate change, inequality and identity, creative activism offers both a safe space and a powerful platform. When art becomes activism, lessons move beyond skill to meaning, giving young ...

  Most students meet colour in art through the wheel. They learn their primaries, secondaries, complementaries and it’s a useful tool, but a blunt one. Colour in the classroom too often becomes a set of formulas rather than a vehicle for expression. For students who live in a world saturated with digital colour palettes, teaching colour ...